The Six Million Dollar Man 3"x 4" linoleum block print with watercolor
For those of you following any of this, you may have noticed this is my second $6,000,000 man piece. I was having trouble getting a good print off of the collograph plate, so I decided to take another crack at it. Printmaking can sometimes have a high percentage of things that don't work out. Also since doing the first piece, I printed a bionic woman print (below) that is also 3"x 4", and I thought a pairing might be nice.
The first print above is printed with black relief ink and watercolored after the ink has dried.
The Six Million Dollar Man 3"x 4" linoleum block print with chine collé
This print is printed in transparent black relief ink on top of a vintage merchandising image from the Six Million Dollar Man toy line (which I had many toys from... Bigfoot, anyone?). The vintage image is on a thin piece of paper with glue on the back of it. The pressure of the printing press simultaneously transfers the image from the block to the chine collé paper and adheres the chine collé paper to the thicker printmaking paper.
The Six Million Dollar Man 3"x 4" two- color linoleum block print
This is a two-color relief print. First an uncut linoleum block is inked with transparent red ink and printed. Then the image block is inked in black and carefully lined up and printed on top of the red.
All three prints are available for purchase in my etsy shop ... here.
hot off the press
Tuesday, February 19, 2008
The Six Million Dollar Man: Reboot
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11:19 PM
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Labels: Bionic Man, block print, chine collé, lee majors, portrait, printmaking, relief print, Six Million Dollar Man, steve austin, watercolor
Tuesday, February 5, 2008
The Bionic Woman
The Bionic Woman 3" x 4" woodblock print with chine collé
The Hollywood icons series returns today with Lindsay Wagner as Jamie Somers, the Bionic Woman. It didn't seem right to do the Six Million Dollar Man (two posts down) without giving the Bionic Woman equal time.
This is a woodblock print which I've printed a couple of different ways. The first print is a chine collé print with the woodblock printed on top of a vintage merchandising image (you can either view it as a statement about commercialism, or just a retro-cool print). The second print is a two color woodblock print. The transparent green color was printed first as a solid block of color, then the image was printed on top of the background in black relief ink.
two color woodblock print
two color woodblock print fresh from the press
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Victor McCay
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11:48 PM
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Labels: art blogs, chine collé, lindsay wagner. bionic woman, relief print, woodblock, woodcut
Friday, October 19, 2007
Steve McQueen is... Bullitt
Bullitt 5 x 9 linoleum block print on chine collé
Continuing the theme of Hollywood icons is macho cool Steve McQueen from the pinnacle of his career in the movie "Bullitt". The foreground print image is carved into and printed from a linoleum block. Since the movie is famous for the car chase/driving sequences, it seemed appropriate to have him driving the green Mustang in the background. Below is the print without the chine collé for comparison.
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Victor McCay
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Labels: Bullitt, chine collé, lino print, linocut, linoleum, Shelby Mustang, Steve McQueen
Tuesday, October 16, 2007
Darth Vader Monotype/Photo Etching
Darth Vader 4x6 Photo Etching printed on Comic Book Panel
The first print in today's post is continuing the experimentation with printing on top of other images. This is printed onto an image from a vintage 30 year old Star Wars comic book (Click on it for a more detailed view of the underlying image). This print is a photo etching done from a monotype printed on a chine collé comic book panel. Below is the original monotype print.
Darth Vader 4x6 Monotype
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Victor McCay
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12:37 AM
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Labels: art blogs, chine collé, darth vader, etching, monotype, photo etching, star wars
Saturday, October 13, 2007
Bandit 2.0

Greetings, gentle readers! I was burned out after my art show this summer, so I took an art break. Didn't expect it to be such a long break, but - ah well, good intentions, etc.
Anywho, I've started doing some new prints and experimenting with some new ideas. I'm printing on top of other images using a chine collé technique. Loyal readers may remember this Smokey and the Bandit collograph print from a previous post, but this time I've printed old Burt on top of a soft painterly image of the black Bandit TransAm.
The idea is for the background image to be a secondary image that supports and informs the foreground print image. By combining the two images, the finished print also has a slightly abstracted feel.
Sorry for the prolonged absence. I'll try to get back in the swing of posting semi-regularly. More to come...
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Victor McCay
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11:56 PM
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Labels: art blogs, bandit, chine collé, collograph, trans am